I am a historian of American music, religion, and popular culture. I am a 2026–2027 Kluge Fellow at the John W. Kluge Center at the Library of Congress. My research concerns the social lives of music: how sound gathers force in ordinary experiences, moves across space and time, and organizes attention, feeling, and power. I specialize in nineteenth-century U.S. musical culture, with an emphasis on vernacular sacred song and the infrastructures that shaped it, such as print, pedagogy, and institutions that promoted public singing. My current book project, The Gospel in Black and White: Race and Popular Culture in American Hymns (under contract with the University of North Carolina Press), traces the formation of gospel music between 1875 and 1915. It shows how gospel emerged from overlapping Black and white evangelical interests in publishing, performance, and listening, and treats hymnbooks and songbooks as material archives that both produced and preserved cultural categories like race. More broadly, my work spans American music history from the eighteenth through the twentieth centuries, with interests in race and racialization, print culture and media history before recording, and the entanglement of religion and popular culture. My articles are published or forthcoming in venues such as the Journal of the Society for American Music and the Journal of the American Musicological Society. I received a PhD in Music from the University of Pennsylvania in 2024, where I also taught, and have taught at the University of Delaware. I am also an organist and choral conductor.

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